Movement, change, transformation, flux, cognition, illusion – Tristan employs these words when speaking about the work of formations studio, his collaborative workshop in Atlanta, Georgia, where he explores new electronic technologies for conceiving and depicting spatial ideas and invents materials technologies for fabricating his work.
From his earliest pieces, Tristan responded to architectural spaces and invited viewer interaction. Space Index, a pulsing, gyrating chartreuse-colored hourglass-shaped form, installed at the High Museum in Atlanta in 2006 explored cause/effect and user agency. With this dynamic and reactive work, Tristan aimed to, “challenge notions of art as static, art as exclusive, while simultaneously molding the spatial cognition of the users/players in the space.” The work also has a humorous aspect; to see a video of its dynamic behavior, visit Vimeo: Space Index.
Another witty piece is Pucker Up shown at the Atlanta Museum of Design in 2012. A wall relief in Corian®, a flexible industrial material commonly used in baths and kitchens, it explored slight variations in form perceivable from different angles by viewers.
Tristan’s current work is ambitious and expansive; engaging architecture and the dynamics of the city, itself.
The 2015 work entitled Stealth at 15th and Peachtree Street in Atlanta first appears to be a large-scale Minimalist sculpture in a plaza, albeit with figurative allusions – but as the city dweller navigates the space – it becomes animated. Describing the intentions of this work, he says, “the sculpture acts as an urban instrument binding neighboring spaces through visual corridors.” The folded form of pure geometric figures in dark concrete creates an urban portal that visually connects locations in the surrounding environment. The double cube and the elongated hexagon figures are fully perceptible from several blocks away. But as viewers move toward, around and through the work, the sculpture subtly transforms, expanding and collapsing in between two-dimensional figure, and three-dimensional form.
Allotrope Exi, an unbuilt work proposed for Dallas, Texas, was a grand gesture weaving together spaces and architecture in the downtown arts district. Composed of sculptural steel and magenta-hued polycarbonate bands that split and conjoin, fold and twist as they wind through the building lobbies and exterior plazas in a one-block-square area, Tristan remarks that the work, “sets up a series of spaces and carefully frames perspectival views that weave the public space of the city into the public space of the building – almost as if it were a cinematic construct. The piece is about creating a sculpture that engages both the Dallas arts district and the building and creates a bond and interplay between the two.”
Grotto, currently in design development, also conducts a conversation with architecture. The work is a highly-integrated architectural sculpture that animates the underside of a building’s 55-foot-tall portico where it creates a dynamic and luminous inverted landscape of light and color.
All photos courtesy of the artist.